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Since I could never remember all the melodies I would hear at the bluegrass jam sessions, my emphasis has been to learn theory and licks to allow me to improvise in most musical situations. There is no style of music I would shy away from with the dobro – it is truly a very versatile instrument if you invest the time. A lot of bluegrass, but lately more blues, folk, country, Latin and originals. Squeezing in all the dobro I could while working a 38 year career as an auditor, I’m self-taught in music theory, dobro and guitar. Dobro instructional material? None at the time. Had just come out in about 1972, and that was what I learned to play from. He could make that thing sing, cry or rock! He was an innovator who changed the style and sound of dobro playing forever.Īll of today’s dobro all-stars have built on what Josh Graves started.Īfter I got out of the military some ten years later I got a dobro, still hearing the sounds that Josh made. I’ll never forget those shows or his sound. That was the late Josh Graves playing dobro.
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Remember when Norma Jean was replaced by Dolly Parton on the Porter Wagoner Show?įlatt and Scruggs – what the heck was that guitar played flat with the hubcap in the middle? Wow! What a sound!. Which then led to watching the Flatt and Scruggs television show on Saturday evenings, along with all the other Nashville shows of the 50s and 60s. This naturally led to exposure to banjo and bluegrass music. Next to Chuck Berry, folk music was the big thing. Eddie’s career and original music have been documented in several publications and were highlighted on the nationally-syndicated television show, Texas Music Café.įor more information about Eddie, visit: http//Īs a kid in high school in the early 60s, I was in a folk music trio: guitar (me), bass, and banjo. Also an accomplished guitar and mandolin player/instructor, he has performed and conducted workshops throughout the United States and Europe. Eddie holds a Master’s degree in education and formerly taught teacher education courses at California Lutheran University. He has numerous recording credits, including his latest all-instrumental solo project, Rapid Transit (2008). As a features writer for numerous acoustic music publications, he has interviewed many of today’s top banjo players – gaining key insights into their playing styles.Ĭollins resides in Austin, TX, where he teaches music and performs with some of the finest musicians in Texas. Eddie currently authors the “Beginner’s Corner” column for Banjo NewsLetter. He was the founder/editor of the highly regarded 5-String Quarterly, a trade publication dedicated to all aspects of the 5-string banjo.
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Eddie Collins is recognized as one of today’s foremost instructors of the 5-string banjo, having authored numerous books designed to help all levels of players from beginner to advanced.